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Here are a few reviews I’ve stumbled across lately.

The world’s 100 most remarkable birds. That seems like a lot. After all, the vast majority of people can’t even name anywhere close to 100 birds, period. But in fact, it is less than 1% of the more than 11,000 species across the globe. So picking just 100 isn’t an easy task. However, Stephen Moss […]

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by Stephen Moss

Birds are amazing creatures. But which ones are the creme of the crop, the most remarkable? This handsome book presents a selection of 100 species for your consideration.

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Author extraordinaire Pete Dunne was the keynote speaker at this year’s Colonial Coast Birding and Nature Festival, held annually on Jekyll Island, Georgia. It was a blast to hear him speak, and even more so to bird with him. It is with complete honesty that I say that if I could write (or bird) like anyone, it would be Pete Dunne. Thus, it was an honor (and a bit intimidating!) to be able to sit down and ask him a couple of questions.

Your next book, Prairie Spring, will be published next year. Can you tell us a little about it?
It’s part of a four-part series. The focus is not the season, the season is just a carriage. The focus is actually the overlap of humans and the natural world. The season is a common ground that most people can relate to.

You’ve written about your beginnings as a birder. But how did you become a writer?
It began just about the same time. I think I started to write my first book about birds when I was in the second grade. The name of the book was Turk: The Story of a Hawk. I stopped it when I realized on page one that I was actually plagiarizing the story called Rufous Redtail, which is also a wonderful book.

Do you ever want to write about something other than birds? Perhaps a novel?
I wish I had a novel in me. If I do, it’s deeply hidden. I’d love to write a novel, I think it would be incredible fun to be able to just weave a story out of air. But I actually write a great deal about things that are not birds; I write a great deal about people. I think one of the things I try to do with my writing is to write about the junction of people and the natural world. So this book series that I’ve started is just a continuation of something that I’ve been doing for a long time.

Many of your columns are obviously fictional. But there are some that have left me wondering whether they really happened or not. What percentage of the situations you’ve written about happened as you wrote them?
I’d say that very few of them happened exactly that way. The great thing about writing fictional accounts, even if they have foundation in fact, is that you can embellish.

There’s one in particular that I have to ask about – did some random birder at Cape May really want to find a Semi-palmated Plover for you? (as told in More Tales of a Low-Rent Birder)
Yes, that really did happen. He was a very nice guy.

Many times, you write from the bird’s perspective, such as in The Wind Masters. How do you do that so well?
I don’t know. I’d love to tell you that writing is hard, but it’s not. If you have a good idea, it writes itself. If you have a bad idea, two days later you have 3500 words on paper and you still have a bad idea.

Any chance for more books like Wind Masters, but with other groups of birds?
There’s actually elements of that in the series I’m doing right now. For instance, in Prairie Spring I have a conversation with a painted horse.

It seems to me that a proportionally high number of top-notch birders are also exceptional writers. There’s yourself, Kenn Kaufman, and Scott Weidensaul, just to name a few. Does it seem that way to you as well?
I think that maybe we’re simply the ones that because we’re accomplished communicators, that we’re known. I’m sure that there are very, very skilled birders out there on par with Kenn and David (Sibley) who might not be well known. But they’re still very good birders. I think in every endeavor communication is fundamental, no matter what you do.

Before your Field Guide Companion, it would have been hard to imagine an identification guide with absolutely no illustrations. How was your concept of it initially received?
I think the concept was very warmly received. Houghton-Mifflin (the publisher) is a wonderful house, and Lisa White (the editor) is a great person to work with. But I think the bloom was off the rose when I turned in my manuscript and it was four times longer than anticipated! They published it very much as it was written, but the original concept was for a much shorter book. It was a tale that grew in the telling.

Anything else in the works that you can talk about?
A couple collections of essays. And I’m never short of ideas, there’s a whole wall of books that I would love to write someday. I will never finish a project where I won’t have five or six other ideas vying for my attention.

 

Many thanks to Pete for being gracious enough to consent to this interview even when he wasn’t feeling well, and for enduring it even though I am without a doubt the worst interviewer that he has ever had to suffer through. I wish him luck in writing that wall of books that he wants to write, because I want to read them even more.

I am honored and excited to be one of the 12 finalists for WildBird’s 2008 Birder of the Year contest. Every reader of the magazine has an opportunity to be considered by responding to one of two questions in every issue. The magazine’s staff then chooses one respondent for each of the questions and awards them some nice prizes. Even better, they are then in the running to be crowned the Birder of the Year. The winner receives a pair of Swarovski binoculars and a trip for two to Costa Rica!

Magazine subscribers can vote for the BOTY by mailing in the ballot on page 35 of the current November/December issue. If there are any subscribers out there reading this, I would, of course, appreciate your vote for me, Grant McCreary.

Sorry for this shameless request, but naturally I am excited about this! I promise to get some real content posted soon, including an interview with the one and only Pete Dunne.

If anyone’s wondering, the question I responded to dealt with travel-related bird books. Big surprise there, huh?

Colonial Coast Birding and Nature Festival

This weekend is the Colonial Coast Birding and Nature Festival on the Georgia coast. Every year I eagerly look forward to a few days of intense birding, especially on the barrier islands. And this year there’s another reason – Pete Dunne is the keynote speaker! Dunne has long been one of my favorite authors, and I’m really looking forward to meeting and birding with him.

Rio Grande Valley Birding FestivalAnd then next month is the Rio Grande Valley Birding Festival, based in Harlingen, Texas. I’ve heard great things about this festival, and I can’t wait to bird the valley again. Of course the birds will be great, and to top it off, Kenn Kaufman will be speaking. Dunne and Kaufman less than a month apart – does it get any better for a bird book geek…er, enthusiast?

Here are some bird book reviews that I’ve come across recently.

by Luke Dempsey

A very funny, and often irreverent, look at what happens when birding takes hold of the author’s life.

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Here are some bird book reviews from magazines and journals published in September, 2008 (along with one I forgot to include in the last installment – oops).

Birding

– July/August2008 (Vol. 40, No. 4)
  • Birds of Peru, by Thomas S. Schulenberg, Douglas F. Stotz, Daniel F. Lane, John P. O’Neill, and Theodore P., III Parker
    “Quite simply a tour de force“, this guide is THE guide for Peru.
  • Rare Birds of California, edited by Robert A. Hamilton, Michael A. Patten, and Richard A. Erickson
    An “essential reference” to California birders, members of bird records committees, and birders anywhere interested in patterns of avian vagrancy.
  • Soaring with Fidel: An Osprey Odyssey from Cape Cod to Cuba and Beyond, by David Gessner
    Become swept up with the author and Ospreys in this “enlightening journey”.

Birding

– September/October 2008 (Vol. 40, No. 5)
  • Birds of the Aleutian Islands, Alaska, by Daniel D. Gibson and G. Vernon Byrd
    This scholarly treatment of the birds of this region (it is not a field guide) contains species accounts, discussions, and listings of sightings, and is “very useful and much-needed”.
  • Bird: The Definitive Visual Guide, edited by Peter Frances
    Not just another coffee table book, this is “strikingly attractive, surprisingly authoritative, and well worth its $50 price tag”.
  • The Ornithologist’s Dictionary, by Johannes Erritzoe, Kaj Kampp, Kevin Winker, and Clifford B. Frith
    “A handsome, no-nonesense, little reference book”.
  • National Geographic Birding Essentials, by Jonathan Alderfer and Jon L. Dunn
    I just (finally) finished this book. I’ll review it at some point, but I don’t think I can add anything to this review. Essentially, this is a adequate introduction to the fundamentals of birding, but with a disappointing lack of coverage of technological advancements.

Birder’s World

– October 2008 (Vol. 22, No. 5)

by Dan Koeppel

An interesting tale of a man and his obsessive need to see every bird on earth.

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